[Latin Name] Vitis vinifera Linn

[Plant Source] Grape seed from Europe

[Specifications] 95%OPCs；45-90% polyphenols

[Appearance] Red brown powder

[Plant Part Used]: seed

[Particle size] 80 Mesh

[Loss on drying] ≤5.0%

[Heavy Metal] ≤10PPM

[Pesticide residue] EC396-2005, USP 34, EP 8.0, FDA

[Storage] Store in cool & dry area, keep away from the direct light and heat.

[Shelf life] 24 Months

[Package] Packed in paper-drums and two plastic-bags inside.

[Gerneral feature]

1. Our product has passed the ID test by ChromaDex, Alkemist Lab. and other

third-party authoritative testing institutions, such as detection;

2. The pesticide residues match (EC) No 396/2005 USP34, EP8.0, FDA and other foreign pharmacopoeia standards and regulations;

3. The heavy metals in strict accordance with the foreign pharmacopoeia standard controls, such as USP34, EP8.0, FDA, etc.;

4. Our company set up a branch and import raw materials directly from Europe with strict control of heavy metal and pesticide residue. Aslo ensure the procyanidins content in grape seed is more than 8.0%.

5. OPCs over 95%, polyphenol over 70%, high activity, the oxidation resistance is strong, the ORAC more than 11000.

[Function]

Grapes (Vitis vinifera) have been heralded for their medicinal and nutritional value for thousands of years. Egyptians ate grapes a very long time back, and several ancient Greek philosophers spoke about the healing power of grapes — usually in the form of wine. European folk healers made an ointment from the sap of grapevines to treat skin and eye diseases. Grape leaves were used to stop bleeding, inflammation, and pain, such as the kind brought on by hemorrhoids. Unripe grapes were used to treat sore throats, and dried grapes (raisins) were used for constipation and thirst. Round, ripe, sweet grapes were used to treat a range of health problems including cancer, cholera, smallpox, nausea, eye infections, and skin, kidney, and liver diseases.

Grape seed extracts are industrial derivatives from whole grape seeds that have a great concentration of vitamin E, flavonoids, linoleic acid and phenolic OPCs. The typical commercial opportunity of extracting grape seed constituents has been for chemicals known as polyphenols having antioxidant activity in vitro.

Available on Hyperion Records (Downloads – mp3, ALAC, FLAC / CD) https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA67901/2&utm_source=youtube&utm_medium=youtube_taster

Jean-Sébastien Bach (1685-1750)
Passion selon saint Jean
Orchestra of the Age of Enlightenment
Stephen Layton (directeur)
Polyphony

Get on iTunes https://itunes.apple.com/us/album/bach-st-john-passion/id596456273?ls=1&app=itunes&at=10ltTR

Featured extracts
St John Passion BWV245 [117'44]
1- Part 1 No 1, Chorus: Herr, unser Herrscher [9'04]
2- Part 1 No 2, Recitative: Jesus ging mit seinen Jüngern (Evangelista/Christus) [2'23]
Ian Bostridge (tenor), Neal Davies (bass), Polyphony
3- Part 1 No 3, Chorale: O große Lieb [0'46]
4- Part 1 No 4, Recitative: Auf dass das Wort (Evangelista/Christus) [1'03]
Ian Bostridge (tenor), Neal Davies (bass)

APPENDIX
43- Part 2 No 40, Chorale (fully accompanied version): Ach Herr, lass dein lieb Engelein [2'00]

Album also includes
5- Part 1 No 5, Chorale: Dein Will gescheh, Herr Gott [0'47]
St John Passion BWV245 [117'44]
6- Part 1 No 6, Recitative: Die Schar aber (Evangelista) [0'45]
Ian Bostridge (tenor)
7- Part 1 No 7, Aria: Von den Stricken meiner Sünden [4'54]
Iestyn Davies (countertenor)
8- Part 1 No 8, Recitative: Simon Petrus aber folgete Jesu nach (Evangelista) [0'10]
Ian Bostridge (tenor)
9- Part 1 No 9, Aria: Ich folge dir gleichfalls [3'25]
Carolyn Sampson (soprano)
10- Part 1 No 10, Recitative: Derselbige Jünger (Evangelista/Ancilla/Petrus/Christus/Servus) [3'11]
Ian Bostridge (tenor), Amy Wood (soprano), Ashley Riches (bass), Neal Davies (bass), David de Winter (tenor)
11- Part 1 No 11, Chorale: Wer hat dich so geschlagen [1'40]
12- Part 1 No 12, Recitative: Und Hannas sandte ihn gebunden (Evangelista/Servus/Petrus) [2'02]
Ian Bostridge (tenor), Ashley Riches (bass), David de Winter (tenor), Polyphony
13- Part 1 No 13, Aria: Ach, mein Sinn [2'30]
Ian Bostridge (tenor)
14- Part 1 No 14, Chorale: Petrus, der nicht denkt zurück [1'11]
15- Part 2 No 15, Chorale: Christus, der uns selig macht [1'02]
16- Part 2 No 16, Recitative: Da führeten sie Jesum (Evangelista/Pilatus/Christus) [4'04]
Ian Bostridge (tenor), Roderick Williams (baritone), Neal Davies (bass), Polyphony
17- Part 2 No 17, Chorale: Ach großer König [1'36]
18- Part 2 No 18, Recitative: Da sprach Pilatus zu ihm (Evangelista/Pilatus/Christus) [2'00]
Ian Bostridge (tenor), Roderick Williams (baritone), Neal Davies (bass), Polyphony
19- Part 2 No 19, Arioso: Betrachte, meine Seel [2'31]
Roderick Williams (baritone)
20- Part 2 No 20, Aria: Erwäge, wie sein blutgefärbter Rücken [8'37]
Nicholas Mulroy (tenor)
21- Part 2 No 21, Recitative: Und die Kriegsknechte flochten (Evangelista/Pilatus/Christus) [5'39]
Ian Bostridge (tenor), Roderick Williams (baritone), Neal Davies (bass), Polyphony
22- Part 2 No 22, Chorale: Durch dein Gefängnis, Gottes Sohn [0'43]
Polyphony
23- Part 2 No 23, Recitative: Die Jüden aber schrieen (Evangelista/Pilatus) [3'58]
Ian Bostridge (tenor), Roderick Williams (baritone), Polyphony
24- Part 2 No 24, Aria with chorus: Eilt, ihr angefochtnen Seelen [3'41]
Roderick Williams (baritone), Polyphony
25- Part 2 No 25, Recitative: Allda kreuzigten sie ihn (Evangelista/Pilatus) [2'18]
Ian Bostridge (tenor), Roderick Williams (baritone), Polyphony
26- Part 2 No 26, Chorale: In meines Herzens Grunde [1'02]
27- Part 2 No 27, Recitative: Die Kriegsknechte aber (Evangelista/Christus) [4'02]
Ian Bostridge (tenor), Neal Davies (bass), Polyphony
28- Part 2 No 28, Chorale: Er nahm alles wohl in acht [1'04]
29- Part 2 No 29, Recitative: Und von Stund an nahm sie der Jünger (Evangelista/Christus) [1'21]
Ian Bostridge (tenor), Neal Davies (bass)
30- Part 2 No 30, Aria: Es ist vollbracht! [5'41]
Iestyn Davies (countertenor)
31- Part 2 No 31, Recitative: Und neiget das Haupt und verschied (Evangelista) [0'30]
Ian Bostridge (tenor)
32- Part 2 No 32, Aria and Chorale: Mein teurer Heiland, lass dich fragen [4'31]
Roderick Williams (baritone), Polyphony
33- Part 2 No 33, Recitative: Und siehe da (Evangelista) [0'31]
Ian Bostridge (tenor)
34- Part 2 No 34, Arioso: Mein Herz, in dem die ganze Welt [0'48]
Nicholas Mulroy (tenor)
35- Part 2 No 35, Aria: Zerfließe, mein Herze [7'23]
Carolyn Sampson (soprano)
36- Part 2 No 36, Recitative: Die Jüden aber (Evangelista) [2'14]
Ian Bostridge (tenor)
37- Part 2 No 37, Chorale: O hilf, Christe, Gottes Sohn [1'02]
38- Part 2 No 38, Recitative: Darnach bat Pilatum Joseph von Arimathia (Evangelista) [2'23]
Ian Bostridge (tenor)
39- Part 2 No 39, Chorus: Ruht wohl, ihr heiligen Gebeine [8'02]
40- Part 2 No 40, Chorale: Ach Herr, lass dein lieb Engelein [2'00]

APPENDIX
41- Part 1 No 11, Chorale (fully accompanied version): Wer hat dich so geschlagen [1'35]
42- Part 2 No 19, Chorale (fully accompanied version): Ach großer König [1'35]

Recorded in April 2012
All Hallows, Gospel Oak, London, United Kingdom
Produced by Adrian Peacock
Engineered by David Hinitt

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